TABLE OF CONTENTS
Introduction
1
6
6
PART ONEThe framework equips you with language to talk about and assert your footing with practice and theory.
2. Core Concepts
CHAPTER TWO1. “Doing Theory” in the Everyday
2. “Doing Theory” in the Studio
3. A Framework For “Doing Theory” in the Studio
26
27
31
42
44
48
60
27
31
42
44
48
60
INTERLUDE
The Interlude features interviews with 8 artists on how they work between practice and theory.
PART TWO
The demonstration reveals a repeatable four-step process and models ways of working with theory.
2. Methods for My Parallel Practice
3. Areas of My Practice
CHAPTER FOUR a. Using Reflexive Writing
b. Using Reflexive Model Making
c. Using Both Reflexive Writing and Model Making
CHAPTER FIVE 1. What It Took
2. Revisiting What Is At Stake
3. Practice-led Research
4. By Whom, for Whom?
172
173
181
191
218
223
247
265
278
280
290
291
293
173
181
191
218
223
247
265
278
280
290
291
293
PART THREE
The guide provides a sequence of hands-on prompts to attend to the inner workings of your own practice.
The guide provides a sequence of hands-on prompts to attend to the inner workings of your own practice.
Preparing
Skill 1
Skill 2
Skill 3
Skill 4
Exiting
300
301
310
340
354
368
396
410
301
310
340
354
368
396
410
Index
415
423
423
Access to tips, news, and reflections on critical and creative practice. This project is not on social media.
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